2015 Progress Report: November

In November, things started to slow down after the first few days. My show had come and gone and even though I had six projects left to work on for the remainder of the year, there wasn't that sense of urgency that I felt throughout October. This is why I took far fewer picture throughout November.

1/1/15: A lot had happened between the few days that had passed without any new pictures. The drawing had progressed quite a bit and the texture work is almost done. After making my makeshift spraypaint area, I did some spraypainting to make the eventually painting work easier.

11/1/15: This drawing is just about finished. There's not much else I can do with it.

11/2/15: It's hanging time.

11/4/15: I'm starting on some new stuff. This time, there will be texture.

11/9/15: The bisque firing on this has been done over the previous week. Getting it really smooth was a challenge.

11/9/15: As I mentioned before, this was my least favorite of the future sagger firings but there's something I still like about it.

11/9/15: This was the most challenging piece to make a smooth surface out of. The one curve at the bottom frustrated me.

11/9/15: It's a small piece so I decided to save the texture work until after the entire form was finished. Like the sagger pieces this and the two projects that followed it would be made from coils.

11/9/15: Going off from the previous project, this one is going to be larger and more round as opposed to the other one which was smaller and skinnier.

11/10/15: The basic form is complete. Like the other one, the texture work will come later.

11/11/15: The little tail I had at the top broke off and it was too dry for me to do much of anything about it. The texture work is complete though.

11/11/15: The texture work here is more defined than the previous piece.

11/24/15: Of the three previous projects, this is probably my favorite.

2015 Progress Report: October

A lot happened in October. With under a month left to have everything ready in time for my show, there was a sense of urgency to get things done. There were also a lot of headaches when trying to get my mixed media piece The Tragic Forest done in time. Still, I had a lot of fun and a lot of positive feelings came from feeling so productive.

10/6/15: At this point, the overall look and direction of this drawing has been decided but it still isn't finished. The rope still looks a little flat and there still isn't enough shading.

10/7/15: Although it was the second picture taken, it is actually the third sagger piece that I made. Unlike the first one I made, this was much easier to smooth out when it got leather hard. For those of you who don't know or understna dthe process, you'll have to see it in it's final form to understand what I'm talking about.

10/7/15: The second sagger piece. This is my least favorite of the three designs, although it was easy to work with. The only difficult part was the tip at the end. It was hard to create a smooth, shiny surface at that point which is why I didn't emphasis on it as much with the third piece.

10/13/15: The second drawing of the P4 project finally started goiing somewhere. Because I am not fluent in Japanese, I had to rely on what I could see on the references I used rather than what I understood.

10/14/15: At this point, mistakes have already been made. Also, this part is taking a long time.

10/18/15: The back of the main part of the P4 project used molding paste in order to further strengthen the integrity of the piece. This is the first layer.

10/20/15: The bisque firing for this finally got done. Everything came out intact. I still found it odd to be looking at this piece because I rarely create work that doesn't have defined textures.

10/20/15: I really like this form a lot. I think this best represents what I was trying to achieve with my ceramic work around this time.

10/20/15: I was glad this came out of the kiln intact. I was a little worried about this one.

10/20/15: This uses four raku glazes; black, red copper, blue crackle, and red bronze. I use the blue crackle on all of these and for some reason, that was the one that had trouble staying on intact and I still believe it had a lot to do with how the firings for these pieces eventually turned out. It should also be mentioned that despite using a number a glazes, I didn't simply overlap one over the other as you can see in the picture.

10/20/15: This uses four raku glazes; black, red copper, blue crackle, and friday surprise. Again, the blue crackle is chipping.

10/20/15: This uses the raku glazes black, red copper, blue crackle, and xtra calico higby.

10/20/15: The Japanese characters are finally finished. It was one of the most difficult parts of a drawing that I've ever had to do even though it doesn't seem like it.

10/21/15: This is starting to look much better than before. It's just about complete by this point and won't go through anymore major changes until the gloss fixative is applied towards the end of the P4 project.

10/21/15: We finally starting to see some depth perception here. Also, since I'm drawing a forest in the background, I decided to deliberately make the background a little more dirty in order to make everything a little easier to draw. Also, more trees are starting to make an appearance.

10/21/15: This still needs some more cleaning but at this point, I am liking the rsults of this. There are areas where the glzes seem to be missing and I still blame that on the blue crackle. However, I did like the effect enough to where I decided not to have this or the other pieces re-fired.

10/21/15: Even though this doesn't have as much shine as the other pieces, I still like the results here.

10/21/15: Although I have mixed feelings about the results for this piece, it did become a favorite at my show Haunted Autumn.

10/23/15: The second layer of molding paste was applied. This time, I tried to make the surfaces as smooth as possible in order to make the eventual quick paint job easier. The only are that was left undone was the part towards the bottom where the name label would eventually be placed.

10/27/15: I started working on the name lebel for The Vessel. There are three things I should point out here. First, I started using a bolded font in order to make the small lettering more distinguishable. Second, I used two different font sizes. I ususally just used one. Third, I swapped the positioning of the words "Created by Jon-Erich" and "2015". I thought it finally made more sense to do this and it also looked more visually structured.

10/27/15: The lettering is a little larger here.

10/27/15: Just like Desolation, the lettering here is a little larger but I feel that maybe I should have used a smaller font size.

10/27/15: The light molding paste work is done.

10/27/15: The light molding paste work is done but I feel smaller font sizes should have been used because it is too close to the molding paste.

10/27/15: Like Desolation, I feel the letters are too close to the molding paste. I'm getting better at this all the time but there's still something I'm learning each time I do it.

10/27/15: A little more of the land mass has been drawn along with some early lighting, although I would say that in some ways, the drawing has gotten worse since the previous pictures were taken. That is quite common for me though, especially ehrn I haven't done any major drawing projects in some time and I'm getting used to everything again.

10/28/15: We're finally seeing the P4 project come together. For those of you who had trouble trying to figure out where this project was heading and how these three parts would come together will get everything now. Every picture before this will make perfect sense now.

10/28/15: The gesso work has been complete. I did get some gesso on the drawings and that had to be cleaned up later.

10/30/15: P4 finally got a name.

10/30/15: Like the ceramic work, I used light molding paste in order to reduce the drying time and so I wouldn't have to add more weight to this piece that is already heavier than I wanted it to be.

10/31/15: On the front of this, I used a medium called coarse pumice gel. I used it earlier this year on another project I did called Stone Cold. As of this picture, not all of the pumice gel work was done. A lot of it had to sit in front of a fan all night and dry.

2015 Progress Report: September

September was an interesting month. My project that would eventually become The Tragic Forest would finally begin to make some progress while I would start on and complete the basic forms of four ceramic projects. What's interesting about these new ceramic pieces is that they deviate from what I've been doing with ceramics over the previous 2 years. These pieces would ignore texture and negative space in favor of smooth surfaces which were made with the intentions of being experimental work for both raku firings and sagger firings. That's right, I finally started working on sagger pieces. Also, I started doing something this month that you don't necessarily see in the pictures but I'm not ready to talk about that just yet.

9/2/15: This project which would later become known as The Vessel was the first of three projects that placed an emphasis on glazed surfaces over form. I did this so I could find just the right surface appearances that I could apply to future work that I plan to mass produce and sell. This is why for the sake of the glaze, this and the two other pieces like it lacked the texturing my work is usually known for.

9/9/15: By this point, the form is almost complete. I actually had a chunk of the bottom removed because something about it didn't feel right.

9/16/15: The basic form is finally complete. A challenge for this was balancing the back. Too much weight would have caused it to fall over. Most of the weight is at the bottom where the two pieces connect. This is because the bottom as a whole was too small and too light. While the piece can easily be knocked over by accident, it will still stand on it's own.

9/16/15: This project would eventually be known as Desolation. This was a continuation of the idea I was working with when working on The Vessel. A smoother surface was chosen instead of a textured surface. Unlike The Vessel, this has two connecting pieces instead of one.

9/22/15: The P4 project finally started progressing more in it's drawing stages. This is just a basic outline up to this point. Reference sheets on the right gave some insight into the details of knot on a noose and ideas of where a lighting source in the drawing would be.

9/23/15: The basic construction of Desolation is complete. As with some of the other projects I was working on around this time, simplicity was the focus here.

9/23/15: This project would eventually be called Disconnect even though at first everything seemed very connected.Following The Vessel and Desolation, Disconnect would have an additional piece attached to it. The only thing I never liked about this piece was the surface. With The Vessel and Desolation, they had bowl-like surfaces which with connecting pieces very well. With this, I decided not to do that and I think it ended looking too much like a flat piece by itself and not very well intergrated with the other pieces that are connected to it.

9/30/15: The construction on Disconnect is complete. My favorit part about this piece is the connecting piece to the far right. It isn't facing the other pieces. It's as if the two other pieces are seeing the same thing or are agreeing on something while the third piece disagrees or sees something different. This little last minute change is why the piece became known as Disconnect.

9/30/15: This project would eventually become Sybiotic Struggle. This title wouldn't be chosen until it's near-completion. This piece altohugh small and simple, has some major significance. It would become my first sagger firing. I was given simple instructions. Make something smooth, small, and simple. The clay that I used was not the usual hand building clay. Instead, I used clay that you'd use on a throwing wheel. It was tough to get used to. It was very slipery and took forever to dry.

9/30/15: Some more outline work was done on P4 as well as some practice work with the charcoal and pastels. I call it practice work because I figured if I screwed up on the bottom part of the drawing, it was be the easiest part to cover up as the P4 project progressed.